CubaPLUS Magazine

As a child, Modesto practiced various nautical sports— swimming, diving, and spearfishing—developing a deep connection with nature. However, his passion for sculpture ultimately prevailed. From an early age, he watched his father craft pieces with skill, mastering tools not only for sculpture but also for metalwork and welding. Intrigued, he began experimenting with these techniques himself.

Now a sculptor and professor at the Instituto Superior de Arte (ISA), Modesto Ramon Concepcion granted CubaPLUS Magazine an exclusive interview, sharing insights into his beginnings and his over 40- year career.

Reflecting on what drew him to metal sculpture, he recalls: “In 1978, we met sculptor and professor Osneldo Garcia, and his work—along with that of Sergio Martinez, who specialized in shaped steel sculptures—became a significant source of inspiration. Their art broadened our understanding of the possibilities metals could offer.”

Although he has worked with various metals, Concepcion favors ferrous and stainless steels, as well as bronze sheets of different thicknesses. He describes his creative process as almost ritualistic: “Setting the conditions, selecting materials, choosing the tools and equipment—all while having a coffee to boost energy—are key steps before analyzing and calculating the project and planning each operation.”

His work is deeply rooted in traditional techniques, and he is particularly interested in themes related to environmental protection and animal conservation, aiming to raise awareness about nature’s importance.
One striking example is a massive whale tail sculpture that once stood in the sea at Havana’s 110th and 3rd Street beach in Miramar.

It was installed in 2008 for World Environment Day but was tragically torn from its base and submerged when Hurricane Irma hit Havana in 2017. However, Concepcion is currently working on a new version—taller, more resistant to harsh weather and corrosion—to be placed in the same location.

Fearless in the face of artistic challenges, he shares one of his biggest aspirations: “I want to create a monumental kinetic sculpture powered by wind movement, as well as a piece reflecting human sacrifice and perseverance in the struggle for survival.

Technical and creative difficulties can always be overcome through analysis and problem-solving, which fuels the continuation of the artistic process.”

For him, the greatest reward is witnessing the public interact with his work. “It’s incredibly fulfilling when a sculpture enhances its surroundings and encourages public participation. I’ve had wonderful experiences where people actively contribute to improving the environment around my pieces,” he says.

Looking back on his journey, Concepcion reflects: “My style has evolved significantly. I’ve gained greater mastery over metalworking techniques and refined my finishing processes.”

When asked for advice to young artists, he stresses the importance of mastering traditional methods, despite in contemporary art. “To my students and trainees, I always emphasize that even with digital advancements in painting, printmaking, and sculpture, understanding traditional techniques is crucial.”

With a remarkable portfolio of personal and collective exhibitions, including the Havana Biennials of 2012, 2015, 2018, 2021, and 2024, Concepcion’s work is internationally recognized.

Many of his sculptures belong to prestigious private collections, including that of Saudi Arabian Princess Reema bint Bandar Al Saud.

Ultimately, he believes that the greatest recognition an artist can receive comes from the public, fellow artists, and friends. “Contemporary art allows artists to express their concerns, critiques, and messages through various mediums—including sculpture. But to me, sculpture stands the test of time like no other art form.”